“It doesn’t take much effort to see the allegorical meaning of David Yarovesky’s Locked. William (Anthony Hopkins) is a cancer-stricken billionaire whose grief over the murder of his daughter is equaled only by his vitriol for the poor and a younger generation that he believes is taking more than it gives back.
“He has so much money that he “can’t keep track” of it, so why not spend it on a rigged luxury vehicle with the purpose of luring would-be thieves?”
Read more at Slant
